This glimpse into Edvard Munch’s exhibition at Equitable Palast in Berlin around the turn of the year 1892/93 is the earliest photograph of any Munch exhibition, the only one from the 1890s and the closest one comes to a visual impression of the scandal-ridden exhibition at "Verein Berliner Künstler" a few weeks earlier. In the photograph there are three paintings that are now presumebly lost: an earlier version of “The Day After” (1891-92), “From the Riviera” (1892) and “Men Flocking round Wome

A glimpse behind the scenes of the exhibition "Exit!" opening on May 11th at the Munch Museum in Oslo | Edvard Munch

"Edvard Munch’s art is most often interpreted through his emotions: love, anxiety, isolation, jealousy, and grief. These emotive states have been connected to his biography and physical health, and his life events seen as echoed in his creative production. (…) If we look at Munch’s art through the lens of his relationship to nature and landscape, alongside his biography, a different perspective on the artist emerges." – Jay A. Clarke, curator of the exhibition "Edvard Munch: Trembling Earth" at