A Mark Rothko painting thought to be worth tens of millions of dollars is undergoing restoration after a child accidentally damaged the artwork at a museum in the Netherlands. “Grey, Orange on ...

A kid in the Netherlands damaged a Mark Rothko painting worth roughly $56 million after he “scratched” it at a Dutch museum, officials said. The child, who hasn’t been identified, managed to ...

A huge painting by Mark Rothko, thought to be worth tens of millions of dollars, has been removed from display in a Dutch museum after it was damaged by a visiting child.

Mark Rothko painted vertical arrangements of blurry rectangles on fields of colour, but denied these works were abstract. “There is no such thing as good painting about nothing,” he grumbled. Rothko ...

Untitled (Yellow and Blue) by Mark Rothko, once owned by fugitive Malaysian financier Jho Low, fetches US$33 million at Sotheby’s auction.

With its glass facade and bright, art-filled lobby, the Crescent Hotel, which opened in the city’s Cultural District in November 2023, ... Mark Rothko, and Jenny Holzer.

Mark Rothko’s former NYC studio, where he created some of his most famous works, lists for $9.5M By . Jennifer Gould. Published June 5, 2024, 12:43 p.m. ET.

The centerpiece of the project, which the museum says will cost $111 million, is the Mark Rothko Pavilion, named after one-time Portlander, painter Mark Rothko. ... as well as a lobby.

“Mark Rothko: Paintings on Paper” at the National Gallery of Art in Washington, DC, closes on March 31. ‘Untitled,’ 1959, oil on Whatman illustration board sheet: 76.2 x 55.6 cm (30 x 21 7 ...

But Mark Rothko also produced nearly 3,000 works on paper. An exhibition at Washington's National Gallery of Art explores the remarkable paper trail he left behind. Latest ...

“Mark Rothko: Paintings on Paper” and the Phillips Collection’s Rothko Room more than compensate while many of D.C.’s Rothko masterworks are on loan to Paris.

That community-made relevance was on full display as the growing group of museum visitors—from a wide range of ages and demographics—pivoted their attention to Rothko’s No. 73.