Watching “Three Women” is an uneasy experience. The STARZ series uses a truly female gaze, which is still disorienting in ...

A reflection on my time at the Critics Choice Association's celebration of Black entertainers in film and television.

It’s that time on the calendar when a site like RogerEbert.com is asked to distill the entire year to a list, but the best ...

Filmmakers Laura Mora and Alex García López clearly have great reverence for the work, and perhaps it needs this literal ...

Dead to Me” creator Liz Feldman has once again delivered a whip-smart and heartfelt comedy for Netflix. This time, the series ...

The Chicago Film Critics Association presented their awards last night and RaMell Ross was the big winner, taking home prizes ...

While it has its issues, mostly around repetitive combat mechanics, “The Veilguard” does a lot of things very well, including a depth of character we don’t often see in games like this and an emphasis ...

This is Absolutely Not the True Story of the Great Canadian Maple Syrup Heist.” Unlike “Fargo,” the base of “The Sticky” ...

“No Other Land” Runners-up: “All We Imagine as Light,” “The Brutalist,” “Coma,” “Dune Part Two,” “Flow,” “Good One,” “Hit Man,” “Hundreds of Beavers,” “Kneecap,” “Last Summer,” “Megalopolis,” ...

A show that brushes past Gerard Butler's corn-fed actioner conceit and does something alternatingly innovative and tedious ...

The body horror comedy "Nightbitch," an adaptation of Rachel Yoder's 2021 magical realist novel of the same name, is ...

A weary existential funk surrounds the movie from the beginning and never lifts. The performers are fully committed to the ...