“Splitsville” wasn’t necessarily an easy film to make, and that’s partly because filmmakers Michael Angelo Covino (who directed, starred, and wrote the movie) and Kyle Marvin (who wrote ...

If less coiled and emotionally acute than their previous effort, “Splitsville” is every bit as funny – if not more so – often leaving the audience in stitches at the film’s Cannes Film ...

Michael Angelo Covino’s sophomore feature directing effort, Splitsville, was unveiled this evening as part of the Cannes Film Festival Premiere section. It was greeted with a eight-minute reception.

Neon’s “Splitsville” starring Dakota Johnson, Adria Arjona and Kyle Marvin has set an Aug. 22 theatrical release following its debut in Cannes Film Festival’ Premiere section this month.

Director Michael Angelo Covino and co-writer/star Kyle Marvin return to Cannes after their feature debut 'The Climb' premiered on the Croisette six years ago. By Jordan Mintzer What many of us ...

Cue an almighty brawl between the two, spectacularly wrecking half the house and its furnishings with it, and taking “Splitsville” firmly out of the realm of reality — though stopping short ...

Logline: Splitsville picks up with Ashley (Adria Arjona) asking for a divorce, watching as the good-natured Carey (Kyle Marvin) runs to his friends, Julie (Dakota Johnson) and Paul (Michael Angelo ...

Now, five years later, he returns to the Croisette with Splitsville, a brasher but no less artful follow-up screening in the Cannes Premiere section. Covino and Marvin once again co-wrote the film ...

Cannes: Michael Angelo Covino directs and, alongside Kyle Marvin, stars in another winsome character study — this time with Dakota Johnson and Adria Arjona along for the ride. There’s a ...

TheWrap How ‘Splitsville’ Filmmakers Navigated a Challenging Film Market to Get Their Comedy Made | Video Posted: May 19, 2025 | Last updated: May 19, 2025 Cannes 2025: The filmmakers behind ...

Michael Angelo Covino's sophomore feature directing effort, Splitsville, was unveiled this evening as part of the Cannes Film Festival Premiere section. It was greeted with a eight-minute reception.