With September finally here, Logic continues to ramp up the momentum for his hotly anticipated effort YSIV by releasing the cover art for his project Tuesday afternoon (Sept. 4). By Carl Lamarre ...

After the cover art for Logic’s third album Everybody was revealed back in March, a lot was made of the dense illustration by artist Sam Spratt. Inspired by Paolo Veronese’s 1563 painting The ...

Logic revealed the trailer also teased that a “motion picture Sci-Fi epic” is accompanying the album. That presumably is referencing to some type of visuals. The YouTube page for the trailer ...

Maryland rapper Logic is gearing up to drop his major label debut album later this year, and today, we're excited to bring you the project's title, Under Pressure, and artwork. Earlier this ...

Rap beefs are a dime a dozen, but it’s always good to hear when a feud has been settled peacefully. Recently, Freddie Gibbs had an issue with Logic and accused him of biting his religiously ...

In the post, which features a video of Logic's new album artwork for his recently announced Everybody LP, Gibbs writes, "Dear @logic301 I hope you purchase my album on Friday due to the fact ...

The album sees Logic reunite with producer No I.D., who produced his 2014 debut, Under Pressure. Confirming news of No Pressure's release date alongside the album artwork, Logic wrote on social ...

The one thing I try to keep in mind is Logic truly lives and breathes his art. His work tends to be structured ... behind the next project. The first album was his story as Little Bobby, while ...

The No I.D.–produced LP follows Logic’s 2019 release Confessions of a Dangerous Mind. In addition to No I.D., No Pressure features production from 6IX. Check out the album art for No Pressure ...

Just about six months after dropping his YSIV album, Logic is back yet again ... Earlier in the week, the rapper revealed the cover art, a digital drawing of Logic with a red skull exploding ...

If you’ve listened to a Logic album before, Confessions of a Dangerous ... The New York Times chief art critic Roberta Smith came away from the Met show understanding camp as a “densely ...