Repeat after me, Kill Bill fans: Referentiality itself is not an intrinsic aesthetic value. Empty referentiality, going through the motions, doesn’t make a motion picture, give cinema the gift ...

Kill Bill: Volume 1. Resounding proof that aesthetic decisions should never be left to the marketing department, Quentin Tarantino's genre-jumping opus Kill Bill has been cut into two bite-size ...

Like we said, though, Kim isn't the only A-lister lovin' the Kill Bill aesthetic lately, with Katy Perry wearing a similar jacket last month, styled with low-rise, baggy jeans: ...

Kill Bill Volume 1 marked a shift in how Tarantino used music in his films. The soundtracks for Tarantino’s previous three productions were assembled from American pop hits of the 1960s and ’70s.

The biggest "R" I feel is regret. Regret that I should have seen this movie sooner, but at least I've seen Kill Bill now and can share my thoughts about Quentin Tarantino's epic revenge flick.