Copland isn’t particularly dogmatic about the technology it employs, with its products using solid-state, valve and hybrid circuits. Regardless of the design, we have invariably liked what we ...

Microsoft avoided a Copland-like crisis by starting its modern OS initiative years before even Apple's first such attempt, developing Windows NT and polishing it over several releases before ...

Aaron Copland signed “Nov. 6 1942” on the last page of his “Fanfare for the Common Man” and laid down his pen. He had no idea that his contribution to the war effort would live far beyond ...

Copland’s motivation for the popular pieces, beginning with “El Salon Mexico” in 1938, was progressive politics. During the Depression and the beginning of world war, Copland, along with ...

Aaron Copland grew up in Brooklyn far from the mainstream elegance of Carnegie Hall. The son of a Jewish shopkeeper, he went to public school, took piano lessons, and was mitzvahed at the Kane ...

The clever bit about the Copland’s circuitry is its ability to accommodate different types of output valves without issue. Not only does the circuit’s servo-based system automatically adjust bias ...

I like Copland amps. There's a distinctive mood here – high-end but not about to show it off; almost brutalist. But with the new flagship CTA407 tube amplifier, I can see that the Danish audio ...

Copland, the stern ironed modernest, re-emerged though his powerful Piano Fantasy (1952-57), the unabashedly twelve-tone Connotations, and the equally compromising Inscape (1967).

Copland CDA 288 vs. YBA CD1: French Finesse Meets Danish Rage. On paper, the YBA CD1 Blue Laser and Copland CDA 288 don’t look like rivals—they look like cousins who grew up on opposite ends of the ...

Copland simplified its product lineup a few years ago and has focused almost exclusively on hybrid integrated amplifiers that feature Copland’s double triode gain stage with MOSFET buffering. The ...

Copland: Dance Symphony, Short Symphony, Symphony for Organ and Orchestra, Orchestral Variations Simon Preston, organ; St. Louis Symphony Orchestra, Leonard Slatkin, conductor (RCA Victor Red Seal).