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Geena Davis Is Ready for the Geenaissance | The New Yorker
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John Legend Bet on Himself | The New Yorker
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The Futility of the Never Trump Billionaires | The New Yorker
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Jeremy O. Harris, Before …

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Aaron Judge Is a Home-Run King | The New Yorker
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The Poignant Physicality of Zac Efron | The New Yorker
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The Polymorphous Genius of Wolfga…
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Cy Twombly, the Content Painter | The New Yorker

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The Case for Banning Children from Social Media | The New Yorker
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What Is Cringecore, and Why Is It Everywhere? | The New Yorker
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Gillian Anderson’s Sex Education …
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A Murder Roils the Cycling World | The New Yorker

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“Opening Theory,” by Sally Roone…
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The Forgotten Drug Trips of the Nineteenth Century | The New Yorker
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Rashida Jones Wonders What Makes Us Huma…
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Solomun, the D.J. Who Keeps Ibiza Dancing | The New Yorker

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Barry Blitt’s “Back to the Fu…
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Should You Just Give Up? | The New Yorker
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The Novelist Who Inspired Elena Ferrante | The New Yorker
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What’s Behind the Fight Between Pope Francis and the Latin Mass ...

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What’s the Matter with Men? | The New Yorker
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A New Translation of Ovid’s Metamorphoses, Reviewe…

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